Among his published books of poems are: The Krazy Cat Rag (Light Reprint Press), Bulkington (Hollow Spring Press), The Time, The Hour, The Time, The Hour, The Solitariness of the Place (Swallow's Tale Press), Celebrations & Bewilderments (Fragments Press). His sequence of poems - The Time, The Hour, The Solitariness of the Place - was the co-winner in the Swallow's Tale Press competition (1984).
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His books for children include: The Man Who Store The Atlantic Ocean (Prentice Hall & Camelot Books), The Million Dollar Potato (Simon and Schuster) and How to Wrestle an Alligator (Avon). (a sequence of poems about Rip Van Winkle) from Livingston Press THE ENVOI MESSAGES, and THE LAST OF THE MARX BROTHERS' WRITERS, full-length plays,(Broadway Play Publishing).
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Hot Corner, a collection of his baseball writings, and R.I.P. Among his published works are: five collections of short stories - A Dream of Countries Where No One Dare Live (SMU Press), The Bus to the Moon (Fort Schuyler Press), and The Woman Who Wrote King Lear and Other Stories (Pleasure Boat Studio), Fireworks in Some Particulars (Fort Schuyler Press) and Must I Weep for The Dancing Bear (Pleasure Boat Studio). Louis Phillips, a widely published poet, playwright, and short story writer, has written some 50 books for children and adults. “The plays is framed in an exciting, almost frenetic mixture of wild imagery and stark reality … It is a nonstop bombardment of the senses and the mind.” -Bill Hagen, The San Diego Evening Tribune It is studded with non sequiturs, puns, riddles, and sight-gags, running wild or worked into routines and shticks.” -Charlie Farber, Los Angeles Free Press “It is strong and clever in its methodical pursuit of madness. “Here is a piece of theater you absolutely must not miss … This fine, touching, inventive, and gorgeously zany play is about - you guess it - the failure of the American dream.” -Jonathan Saville, Weekly Reader (San Diego) This is how it feels to be trapped in your own ‘bits’ - the mind unable to beat except in gag rhythms, and nobody buys the gags anymore.” -Dan Sullivan, The Los Angeles Times If his play reminds us of THE SUNSHINE BOYS crossed with THE HOUSE OF BLUE LEAVES, the blend still seems fresh.
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“Louis Phillips invented Jimmy, and deserves full marks for it.